After the lunacy that was happening last week I needed a walk, so I strolled over to the Tate Modern. For once it wasn't the art that caught my eye. It seems there is work going on to narrow the bridge. Southwark bridge is one of the few places in London where the traffic flows reasonably freely. Not true of the road it feeds on the North Bank of the Thames though. That's more congested now than before the infamous congestion charge was applied. The congestion charge is exactly what it says - a charge to sit in congestion - rarely has anything been so accurately named.
I digress - and I shouldn't do that.
Where this photo was taken there has often been a string of coaches parked. The passengers are visiting the Globe or the Tate. Apart from the steep steps down to the Thames its ideal. Close to the attractions and easy to find when you have to return. Where have the coaches gone? Where will the visitors have to return to? I have no idea.
I'm just convinced, in my grumpy old man way, that the people who lead London are doing their very best to remove cars from the city altogether, and with them of course the lorries and coaches. There will be only bendy-busses, cyclists and pedestrians soon.
Perhaps I should phone the number and ask WHY?
I will try to remember to get another picture at the end of February so you can see the effect its had on the road width.
Anyway back to the art. I was very pleased to see one exhibit in particular. Sorry no picture - mainly because I don't think its allowed, and the guard was rather suspicious of me as I looked really very closely at the exhibit. What was it?
A piece of marble - remarkable similar to one of the work tops we are thinking about for the kitchen. Really remarkably similar. Too square for my purposes though, and probably too heavy to carry on the train, and then there's that guard of course looking at me suspiciously. Perhaps now I know why.
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